Sep. 8th, 2020 02:35 pm
Fall reading 2020
With exquisite timing, the weather turned just after Labour Day. It had threatened to do so earlier--in fact, I'd turned off the AC Sunday in anticipation of not needing it again until next year and was forced to relent that very afternoon. But it's been consistently under 20°C since yesterday evening and that's where it will stay for at least a couple days. We'll probably get some glorious fall weather pretty soon, but right now it is grey and rainy and I'm loving it.
This is what I've been waiting for for weeks, where it actually feels like a reward to stay in and not a punishment. I'm wearing flannel pyjama pants and drinking tea and basically indulging in all the Fall Things again. One of those things is reading. My official Spoopy Book for Fall this year is something called White is for witching by Helen Oyeyemi; don't know anything about the book or the author except that I was intrigued to see what a British Nigerian's take take on the classic haunted house in the English countryside novel might be.
So far I'm still wondering. A hundred pages in and it feels like she's not done assembling the pieces for her plot. She's rather thoroughly introduced her main characters--including the house, which actually has dialogue (or rather, monologue, as it addresses the reader directly). Amusingly, she's just introduced a character with a Nigerian given name who seems like a cringeworthy cliché (she cooks for the family and practices juju) but I trust her to have some interesting twist in store.
COVID seems to be affecting my ability to concentrate, given my seeming inability to finish anything. I've already chronicled how Un nos ola leuad took me simply ages, despite being an excellent work, and the same thing is happening with El amor en los tiempos de cólera. I stalled out for a while about the same time as the juvenile romance did but then García Márquez surprised me by shifting the focus to a successful middle-aged marriage, which is much more my style. I've just crested the two-thirds mark and hopefully gathered enough momentum to finish it off before the end of the year.
Its latest competition is something called Sarmada by Syrian author Fadi Azzam. I think I may actually have ordered this because I was intrigued by a novel being told from a Druze viewpoint. Still very early days but I find his prose very readable so far. It will be a joy compared to the novel I just finished, Erhöhte Blauanteil by someone named Bruno Steiger (who's so obscure this novel wasn't even in Goodreads until I added it). A mere 126 pages, it nonetheless took me weeks to finish because there's no plot to speak of, just a Mary Sue Swiss-German author of obscure novels going on endlessly about Peter Handke (who I haven't read and don't plan to) and avoiding work. I can't even tell you why I decided to finish it, to be honest. I guess I just kept thinking there had to be something more to it than there was.
This is what I've been waiting for for weeks, where it actually feels like a reward to stay in and not a punishment. I'm wearing flannel pyjama pants and drinking tea and basically indulging in all the Fall Things again. One of those things is reading. My official Spoopy Book for Fall this year is something called White is for witching by Helen Oyeyemi; don't know anything about the book or the author except that I was intrigued to see what a British Nigerian's take take on the classic haunted house in the English countryside novel might be.
So far I'm still wondering. A hundred pages in and it feels like she's not done assembling the pieces for her plot. She's rather thoroughly introduced her main characters--including the house, which actually has dialogue (or rather, monologue, as it addresses the reader directly). Amusingly, she's just introduced a character with a Nigerian given name who seems like a cringeworthy cliché (she cooks for the family and practices juju) but I trust her to have some interesting twist in store.
COVID seems to be affecting my ability to concentrate, given my seeming inability to finish anything. I've already chronicled how Un nos ola leuad took me simply ages, despite being an excellent work, and the same thing is happening with El amor en los tiempos de cólera. I stalled out for a while about the same time as the juvenile romance did but then García Márquez surprised me by shifting the focus to a successful middle-aged marriage, which is much more my style. I've just crested the two-thirds mark and hopefully gathered enough momentum to finish it off before the end of the year.
Its latest competition is something called Sarmada by Syrian author Fadi Azzam. I think I may actually have ordered this because I was intrigued by a novel being told from a Druze viewpoint. Still very early days but I find his prose very readable so far. It will be a joy compared to the novel I just finished, Erhöhte Blauanteil by someone named Bruno Steiger (who's so obscure this novel wasn't even in Goodreads until I added it). A mere 126 pages, it nonetheless took me weeks to finish because there's no plot to speak of, just a Mary Sue Swiss-German author of obscure novels going on endlessly about Peter Handke (who I haven't read and don't plan to) and avoiding work. I can't even tell you why I decided to finish it, to be honest. I guess I just kept thinking there had to be something more to it than there was.