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My informal dogwood count has more than doubled with the recent discovery of three new specimens: one in Lakewood-Balmoral (spotted on a stroll with Monshu), one in West Lakeview (spotted on a stroll with e.) and one a few blocks south of chez moi. The one near me looks spotty; I hope that's not blight. But the one near Meinl is the largest and healthiest I've seen in Chicago, so there's hope! (It was also a different variety than the typical Missouri C. florida, which may be why.)

Also on a walk near my place, I saw a buckeye in bloom. The (horse)chestnuts are starting to open up, too; this might be an excellent weekend to take a walk through the park or the cemetary and view them. Alas, the azaleas are fading, but the lilacs are going strong and the bridal wreath and honeysuckle are coming on line.

(I don't wish I had a camera on these walks, but I sometimes wish I had [livejournal.com profile] bitterlawngnome along and he had his camera.)
Date: 2003-05-22 01:55 pm (UTC)

From: [identity profile] bitterlawngnome.livejournal.com
It's that thing, "writing about painting is like dancing about architecture".

The message is just, this is what I see when I walk though the world. Sometime I try to do something more "art"-like (here and here for example) but like you I think they must communicate or evoke something from the viewer without much explanation, or I might as well have written rather than made pictures.

That being said, it's nice to communicate with people about the work in words, too, especially if it starts a discussion ...
Date: 2003-05-22 02:42 pm (UTC)

From: [identity profile] muckefuck.livejournal.com
It's that thing, "writing about painting is like dancing about architecture".

Partly. But it's more a rule of thumb for sorting out the art that I like. The more explanation a work of art "requires", the more likely I am to find it gimmicky or pseudo-intellectual.

Thanks for the second link, since I hadn't seen those shots before. Where the poster sees a rave no one showed up for, I see the approach to a Buddhist temple, ready for the arrival of the spirits of the dead.

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