Jan. 10th, 2015 10:57 pm
Anne of the 145 minutes
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
muckefuckLast month, when I was casting about for movies to NetFlix, I tossed on couple of the better-looking dramas concerning Henry VIII and his wives. Then, a few days back, when I was feeling in need of some inspiration for the final push on Wolf Hall, I pushed Anne of the Thousand Days to the top of the queue. A sumptuous Technicolor costume drama starring Geneviève Bujold and Richard Burton? How could I go wrong!
I couldn't. Burton may have hated the film, but I loved him in it. Even when he was being hateful. Yeah, the acting can be a bit declamatory at times, but some of the dialogue is bracingly lewd and entertaining and the scenes with Bujold are touching. Her Anne is more sympathetic than Mantel's version without being as insufferably virtuous as Donizetti's heroine.
In fact, I was taken aback by how wanton she's portrayed in the opening sequence, where she admits to not being a virgin while propositioning Percy. And even moreso that, despite that, she's allowed to be the model of fidelity in her marriage to Henry afterwards. The film is an interesting collision of both the end of the Hayes Code and the twilight of the traditional costume drama, so everyone's wearing amazing embroidery while talking freely about adultery and incest.
Among the supporting cast, Torontonian John Colicos (a familiar face from the bad tv of my childhood) stands out as the oily lawyer Cromwell, as do Anthony Quayle as Wolsey and Irene Papas as Katherine. I'm sure errors of fact are legion (even with my rough understanding of the timeline, I caught some hiccoughs in the chronology) but there are worse ways to spend a couple hours on a cold winter's evening.
I couldn't. Burton may have hated the film, but I loved him in it. Even when he was being hateful. Yeah, the acting can be a bit declamatory at times, but some of the dialogue is bracingly lewd and entertaining and the scenes with Bujold are touching. Her Anne is more sympathetic than Mantel's version without being as insufferably virtuous as Donizetti's heroine.
In fact, I was taken aback by how wanton she's portrayed in the opening sequence, where she admits to not being a virgin while propositioning Percy. And even moreso that, despite that, she's allowed to be the model of fidelity in her marriage to Henry afterwards. The film is an interesting collision of both the end of the Hayes Code and the twilight of the traditional costume drama, so everyone's wearing amazing embroidery while talking freely about adultery and incest.
Among the supporting cast, Torontonian John Colicos (a familiar face from the bad tv of my childhood) stands out as the oily lawyer Cromwell, as do Anthony Quayle as Wolsey and Irene Papas as Katherine. I'm sure errors of fact are legion (even with my rough understanding of the timeline, I caught some hiccoughs in the chronology) but there are worse ways to spend a couple hours on a cold winter's evening.