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I'd like to write a longer review of Fledermaus, but I've got to be up in a little over six hours from now to prepare for my trip home for Christmas. So to save time, I'll start off by saying that I agree with what
bunj had to say about the sets and costumes, but not about the dancing, which was, in a word, amateurish. Quick scratch test: If you're not synchronised, it's not ballet; it's simply a lot of flopping about the stage. Oh, you've got a guy who do backflips. Better use him a lot so no one notices that you're about a dozen rehearsals shy of being ready for curtain.
I also agree that Banse's failure to hit the high note at the end of the czardas was a major low point. (Act 2 in general was very weak; on top of the bad dancing was the worst blocking the night--though a lot of the entrances and exits in Act 3 don't make much sense either.) Her singing was alright otherwise. Fally looked and acted the part, but her pretty little voice is simply too small for the hangar-like dimensions of the Lyric. It's a damn shame
bunj didn't get Spyres because he's a perfect Alfred. Skovhus is a solid Eisenstein, just as he was last time, and ditto for our British baritone. I really enjoyed our Viennese Dr Falke, Adrian Eröd; he had some real 1. Bezirk flair.
I understood a good chunk of the German, which was nice because--as my brother says--they slipped in some jokes nur für unsereins. When Frosch turns to a broom and says, "Broomhilda!" it gets a laugh from everyone. But when he follows it up with "Wann kehrst du wieder?" only cognoscenti got the pun a verb which can mean both "come back" and "sweep". The non-native speakers didn't bother me as much as the fact that only Fally and Eröd sound Austrian. There's a lot of physical comedy that works in that scene and some which doesn't.
Overall, I enjoyed it all but wished it hadn't been so long; we didn't get out until 11 p.m., which seems unfair for an operetta. Despite the lashing rain, we persisted in our plan to hit the Christkindlmarket first. I don't regret my first Germknödel, but I wish I'd known what not to eat in order to avoid this acid reflux.
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I also agree that Banse's failure to hit the high note at the end of the czardas was a major low point. (Act 2 in general was very weak; on top of the bad dancing was the worst blocking the night--though a lot of the entrances and exits in Act 3 don't make much sense either.) Her singing was alright otherwise. Fally looked and acted the part, but her pretty little voice is simply too small for the hangar-like dimensions of the Lyric. It's a damn shame
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I understood a good chunk of the German, which was nice because--as my brother says--they slipped in some jokes nur für unsereins. When Frosch turns to a broom and says, "Broomhilda!" it gets a laugh from everyone. But when he follows it up with "Wann kehrst du wieder?" only cognoscenti got the pun a verb which can mean both "come back" and "sweep". The non-native speakers didn't bother me as much as the fact that only Fally and Eröd sound Austrian. There's a lot of physical comedy that works in that scene and some which doesn't.
Overall, I enjoyed it all but wished it hadn't been so long; we didn't get out until 11 p.m., which seems unfair for an operetta. Despite the lashing rain, we persisted in our plan to hit the Christkindlmarket first. I don't regret my first Germknödel, but I wish I'd known what not to eat in order to avoid this acid reflux.